Juxtaposition in macbeth act 1. The are lots of notes and illustrations in the margins.

Juxtaposition in macbeth act 1. Some notable examples include: This line from Act 1, Scene 4, reveals Macbeth's internal conflict between his ambitions (dark desires) and the moral implications of those ambitions (light representing goodness). While the tragedy centers around the dualistic In Macbeth, Shakespeare uses juxtaposition to set up foils that highlight different characteristics of Macbeth: Duncan reveals the depth of Macbeth’s depravity, while Banquo emphasizes Macbeth’s ambition, and Lady Macbeth accentuates Macbeth’s insecurities; exemplifying how a fatal flaw leads to a downfall. The witches appear in the first act and then in the third and last. This powerful image of a “giant robe” hanging loosely on Thesis: In Macbeth, Shakespeare’s juxtaposition of his characters’ “deepest desires” with their “false face [s]” furthers the motif of deception and treachery, setting the stage for Macbeth’s ultimate regicide. Macbeth is eventually prompted by ambition to seek the throne upon hearing a prophecy from a trio of supernatural forces, ultimately resulting in his kingship and consequent death. Lady Macbeth vs. " This passage portrays the witches as ambiguous, through the oxymoronic phrase "battle's lost and won" From Duncan's viewpoint, he has won the battle to defend Scotland but will lose his life as a consequence and from Macbeth's viewpoint, he has also won the battle but Motifs in Macbeth Motif #1 Predictions One of the powerful motifs in the play is the prediction of the witches. ” (V. Hover through the fog and filthy air” (Act 1, Scene 1). This contrast creates dramatic irony, as the audience knows Lady Macbeth's hospitality is a façade for her treacherous intentions. xs7ba 00osui zsok xb lum avzqi qh nxl pmbu hvxa